A shoppable guide to Joshua Hale's stylish Cotswolds cottage

An earthy colour palette and an artistic sense of curation have made this rented cottage into a cosy home
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A blue 'Lancaster' wing chair faces an armchair in 'Lilies and Geraniums' in the sitting room, both by Sibyl Colefax & John Fowler. Walls in Little Greene's 'Light Bronze Green' set off silhouettes by Roger Banks-Pye, paintings by William Balthazar Rose, Pat Albeck and Juliet Duckworth, and finds from Joshua's travels. These include an icon from Sifnos and a birdcage from Hong Kong converted into a lamp, with a shade in Fermoie's 'Wicker'.Dean Hearne

With a discerning curatorial eye and a confident sense of colour, artist and interior designer Joshua Hale transformed his rented Oxfordshire cottage over the course of a mere two weeks. His landlord is the watercolourist and designer Matthew Rice, who lives in Ham Court just up the drive (which was featured in House & Garden in January 2017). Joshua managed to negotiate a rent holiday which gave him the opportunity to dedicate himself to speedily refreshing the interiors over a fortnight.

His practice as a painter has undoubtedly informed the impulsive use of rich colours and compositional arrangement of antique curiosities and artworks throughout the cottage. Below, we delve into Joshua's sourcebook and discover the treasure trove of pieces that make up this quaint and distinctive cottage.

The dining area

Joshua's painterly tendencies have come to the surface on the dining table decorated with winding red and black snakes, which he did himself - the snakes were an impromptu addition wisely made after a glass of wine one evening. The bench behind the table was handed down by Matthew, who no longer needed it. They enlisted a local craftsman to cut it to size, so that it fits snugly into the alcove. The walls of the cosy space are eclectically decked out with classic blue Willow plates and paintings, while Staffordshire pottery figurines sit on the windowsill and shelf. The warm tones of the flatweave kilim rug pair well with the deep mustard of Farrow & Ball's ‘Wet Sand’, in which the walls are painted.

Joshua has given old furniture and lighting a new lease of life by painting the table and adding a rug from Oxford market. In the dining area, angel candlesticks from Svenskt Tenn, Staffordshire flatback horses, willow pattern plates and a still life by Joshua enhance the eclectic feel.

Dean Hearne
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Wet Sand Paint

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Titan Size 1 Pendant, olive green / white

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Pair of Vintage Staffordshire Flat Back Figurines

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Blue Willow Plate 26.5cm

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Orange Kilim Rug

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Skultuna Sweden Vintage Brass Guardian Angel Candle Holders

The kitchen

Joshua loves to cook, and the kitchen is his favourite room to spend time in. He prefers a kitchen to have pictures on the walls, hence the decorative plates and paintings that adorn the walls. A large, colourful canvas, painted by Joshua, dominates one tongue and groove-panelled wall of the small kitchen. This painting is inspired by the ‘hustle and bustle’ of one of Joshua's favourite Roman trattorias. The red backdrop of the artwork is picked up on by the classic Le Creuset casserole pot that sits atop the cooker.

In the kitchen, 'Viscontea' pendant light by Achille & Pier Giacomo Castiglioni for Flos is juxtaposed with an Orkney chair, with a cushion in Sibyl Colefax & John Fowler's ‘Silhouette Squiggle’, and a dresser housing ceramics by Emma Bridgewater and Royal Crown Derby (unfinished 'Old Imari' plates).

Dean Hearne
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Viscontea Pendant

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Cast Iron Round Casserole, 30cm, cerise

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Handmade Bamboo Blinds

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Doulton of Lambeth Stoneware Flagon

A collection of Emma Bridgewater and Royal Crown Derby plates are artfully arranged on an impressive dresser that has been painted white and stands out against the deep wall colour, while a high-backed Orkney chair stands proudly in the corner.

On the Farrow & Ball 'Wet Sand' walls are paintings by Joshua, James Kerr and William Balthazar Rose.

Dean Hearne
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Taino Chair

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He Won't Eat by William Balthazar Rose

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Silhouette Squiggle Caramel

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Splatter Enamel Platter

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10 x Royal Crown Derby Unfinished Imari 1128 Salad Plates

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Shellfish Lobster Large Oval Platter

The sitting room

Joshua's magpie-like eye for treasure has led him to some truly astonishing finds, whether they are hand-me-downs, discovered on his travels, salvaged from skips or bargains won at auction. The latter was how he came to be the proud owner of the denim-covered Sibyl Colefax & John Fowler ‘Lancaster’ winged armchair. ‘I spotted those telephone-shaped arms and my heart stopped’, says Joshua. The delightfully rich olive colour - ‘Light Bronze Green’ by Little Greene - grounds the eclectic yet cohesive colour scheme, while the white panelled ceiling brings in a brighter element to offset the darkness.

A blue 'Lancaster' wing chair faces an armchair in 'Lilies and Geraniums' in the sitting room, both by Sibyl Colefax & John Fowler. Walls in Little Greene's 'Light Bronze Green' set off silhouettes by Roger Banks-Pye, paintings by William Balthazar Rose, Pat Albeck and Juliet Duckworth, and finds from Joshua's travels. These include an icon from Sifnos and a birdcage from Hong Kong converted into a lamp, with a shade in Fermoie's 'Wicker'.

Dean Hearne
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The Lancaster Wing Armchair

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Lilies and Geraniums Fabric

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Round Lampshade in Blue Wicker

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Habitat Luiss Rattan Table Lamp

Dean Hearne
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Pair of Antique English Bobbin Turned Cane Hall Chairs c.1880

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Woodbury Jute Rug

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Light Bronze Green Paint

The spare room

In the small spare bedroom, Joshua decided to get crafty. He took a pair of scissors to the bed pelmet, tracing the botanical shapes of Le Manach's ‘Balmoral’ fabric, which results in a more interesting silhouette against the bright white of the sheer curtains beyond. These voile drapes were sourced from Ikea, as Joshua dislikes the 'the weird snobbery around expense that can exist in the interiors world. Things can be cheap and also amazing.'

The tiny second bedroom has been transformed into an inviting retreat for guests, with a simple divan enclosed by bed hangings in Le Manach's 'Balmoral' cotton in rouge, from Pierre Frey, lined with white voile curtains from Ikea. Two cushions - one in Cambodian silk and the other in Colefax and Fowler's ‘Gallica’ complete the charming effect. The ceiling light is by Jim Lawrence.

Dean Hearne
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Cranbrook Pendant Light, old gold

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Le Manach Balmoral Fabric

Price on request
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STOCKHOLM 2025 Sheer Curtain

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Gallica Fabric

Tibetan Prayer Flags